A Little Pop of Red
12x9" #201450
Oil on museum board
Contact me regarding commissions.
scshisler@gmail.com
As
I've said before, it's always best to get your thoughts down
immediately after finishing a painting. Just as in the painting process
itself, going back to rekindle is hard to do. This painting was
finished on Sunday, so we're talking 2 days later here. My goal was to
bring lots of color variety into this 'say cheese' painting. (Cheese as
in smile for the camera...not cheese as in cheesy painting; I hope.)
Before I write the rest of this post, I need to say that this painting
seems a little bit cattywampus, but I still am very happy with it : )
If
you are looking at a good deal of classical painting, you will notice
that painting a smile seems to be a questionable decision. I guess
because it doesn't seem natural for a model to pose that way for an
extended period? Or because the look just isn't as languid? I think
it's hardest to paint a face that is looking straight at you. Getting
the symmetry is difficult to do without creating an overworked look.
Getting an eyeball placed into the skull accurately is hard enough to
do, but then achieving a graceful passage of skin tissue over the
sockets and eyeball is really a killer. When you get caught up in what
you think you know about eyes vs. what you are actually seeing, you are
destined for a struggle. With palette knife especially because in trying
to achieve a fresh, pure stroke AND getting it placed accurately, you
are likely to face a downright wrestling match. Then you have the
nostrils and the flares that define the edges of the nose around them.
And underneath that is the pair of gentle slopes and a valley that lie
above the upper lip. Lips should be easy, but they are elusive too.
There is the jawline and another slope of skin tissue that joins with
the neck, which is positioned center and toward the back. I'll stop
there, except to say that if all else fails, there is always hair that
can be tousled around; flipped out, or under; placed over a bad eye -
you get the idea. Putting it all together is a trick. It's worth the
time to really study anatomical structure from all angles. Just do it!
WORKSHOPS and CLASSES
•
Three Day Palette Knife Technique and Philosophy Workshop scheduled for
November 19th-21st, 2014 at SoBo Art Gallery in
Winter Garden Florida. $320 for 3 days. Workshop is limited to 8
students. Please call or email me at 321-331-3045 or
scshisler@gmail.com to secure your spot!
• Three Day Palette
Knife Technique and Philosophy Workshop scheduled for
January 6-8th, 2015 at the
Crealde School of Art
in Orlando Florida. (Winter Park Area). $420 for members; $440 for
non-members. Workshop is limited to 15 students and will coincide with
my Solo Show at Grace Gallery at the Ancient Olive. For more workshop
information, please email
Barbara Tiffany or call 407-656-4155.
• Four Day Intensive - Palette
Knife Technique and Philosophy with focus on clean color mixing based on
theory. Workshop scheduled for
January 28th-31st, 2015 at my studio,
Sally Shisler Palette Knife Painting Studio, in Winter Garden Florida.
$450 for 4 days. This will be an intense session where students will be
practicing technique and learning how to translate their brush painting
skills into palette knife artistry. Intermediate - Advanced. Workshop
is limited to six students. Please call or email me at 321-331-3045 or
scshisler@gmail.com to secure your spot.
• Palette
Knife Technique and Philosophy Workshop scheduled for
May 2015 at
The Art School in Sandy Springs Atlanta, Georgia. $450 for 3 days. For more information, please email
Donna Thomas at 404-313-7356.
•
Announcing one day, 3
hour intensive COLOR MIXING sessions at my studio,
Sally Shisler Palette Knife Painting Studio, in Winter Garden Florida.
These sessions are designed to help students prepare for their own
paintings that they will paint at home with their premixed palette. This
is all about thorough color mixing; not actual painting. Each student
will be provided with a high quality color print of their selected
photograph with a clear breakdown of which colors will be mixed.
Preparing a palette of clean, harmonious color before putting
knife/brush to canvas gives you a head start on a successful painting.
Sessions are held on the second Saturday of each month. Cost is $50.
Beginner-Advanced. Space is limited to six students. Please call or
email me at 321-331-3045 or
scshisler@gmail.com to secure your spot.
•
Private Lessons at my studio in Winter Garden, FL. Cost is $100 for three hours. Those
interested, please call or email me at 321-331-3045 or
scshisler@gmail.com to make an appointment.
BOOKS:
• Now Available! Sally Shisler - Contemporary Impressionist Painter, A Collection of Palette Knife Paintings from 2011-2014
•
Coming in 2015: Sally Shisler - Color Mixing for Radiant Harmony in
your Paintings. This book will go in depth on how I prepare my colors
from careful subject observation through completion of a painting. Step
by step color choices and mixing will be diagrammed with detailed
written instruction.
VIDEOS/DVDS:
Coming soon...
