Showing posts with label child at the seashore. Show all posts
Showing posts with label child at the seashore. Show all posts

Sunday, August 24, 2014

Finding Beauties by Sally Shisler



Still painting smalls.  Gearing up slowly for bigs.  Experimenting with new surfaces and substrates.  For a long time I've used Centurion Linen sheets mounted on either superior quality gatorboard (which survives a surprising amount of abuse) or Ampersand gessoboard - which is more recently. Going through my stock (you know, the stuff that we buy then squirrel away for use in the next brilliant painting, which will obviously be better because of it...then forget we have it), I found some Ampersand wood blocks 4x4".  I never used them for anything because I hadn't realized I ordered the ones that were about 1.5" thicker than I wanted.  Anyway - found them yesterday and decided to try them out for my smalls.  Being impatient and ill prepared to do this the right way, I painted directly on the wood without any kind of priming.  Loved the light color of the natural wood - very useful in establishing values right away.  And really love the way my knife sails right over the surface. Which solves a lot of the issues I have with poorly made strokes. They are never perfect as in my mind, but I think maybe on this wood I have a better chance of making the strokes I intend.  I have developed a HUGE pet peeve about unexpected dips and valleys in my knife strokes - especially around my figural pieces. It's because I use the movement and direction of the knife to support the overall design. Knives create depth in the paint.  For me, I think this must be studied carefully before making the marks. Sometimes I think about the next single stroke for a very long time. Might be akin to surgery. Not sure how I ended up with this mind set after beginning my knife painting adventure years ago with large canvases so that I could experience freedom and spontaneity. These smalls, though, have turned out to be invaluable little lessons in all the important things that go into successful painting. This painting has strengths and weaknesses.  I am trying to let go of the harsh judgements I make and find contentment in the parts that are good and sound.

Important News:
Private Lessons in my studio.  Those interested, please call or email me at 321-331-3045 or scshisler@gmail.com to make an appointment for a 3 hour or more session.
Palette Knife Technique and Philosophy scheduled for Wednesday, September 24th - Friday September 26th at SoBo Art Gallery in Winter Garden Florida.  Please call or email me at 321-331-3045 or scshisler@gmail.com.
Palette Knife Technique and Philosophy scheduled for June 6th -8th at The Art School in Sandy Springs - Atlanta, Georgia.  Please call or email Donna Thomas at 404-313-7356 or theartschoolinsandysprings.com.

Wine and Paint  It's becoming a wildly popular trend across the globe and now is soon to come to Winter Garden Florida. Plans are being finalized for weekly evenings at SoBo Art Gallery in Winter Garden Florida.  Join me and other painters for the fun - I will be facilitating. Schedule to come out soon.
"Sally Shisler - A Collection of Beach Paintings from 2010-2014   Keep your eyes peeled for my First Self Published Book of 4x4" palette knife beach paintings a la Potthast. 

Unless otherwise noted, listed prices are offered to my subscribed blog members. If you are interested in purchasing a painting, but are not yet subscribed, simply enter your email address in the join box on my home page. As a subscriber you will receive special values on your purchases and periodic promotions will give you the opportunity to enjoy my paintings in real life at even more affordable prices!

Wednesday, August 6, 2014

Beach Tot by Sally Shisler


Beach Tot - 201437 4x4" Oil on Board
Choosing the right colors/color temperatures and values.  I began the painting with a wash of very thinned out burnt sienna.  Applied with a brush - again, looking for the joints of the figure and emphasizing them by pushing down on the brush tip, then continuing on to the next with as much of a calligraphic quality as possible in this small size.  Easier to do with a brush than with a knife.  Laid down the rest of the color notes with brush, then dove in with my knives to commit the color choices (with all their relative inherent features - value, temp etc.) and add features of the palette knive -  stroke direction, depth, hard edge, tapered edge etc.  Am happy with the result, though I feel that the shadow underneath the tot could be lighter.

Important News:
Pick Your Passion Please come this Thursday, August 7th from 5-8 to see two of my latest paintings at the Opening of SoBo Gallery's members only August exhibit; 127 S. Boyd Street, Winter Garden, FL 34787
Private Lessons in my studio.  Those interested, please call or email me at 321-331-3045 or scshisler@gmail.com to make an appointment for a 3 hour or more session.• Palette Knife Technique and Philosophy scheduled for Wednesday, September 24th - Friday September 26th at SoBo Art Gallery in Winter Garden Florida.  Please call or email me at 321-331-3045 or scshisler@gmail.com.
Palette Knife Technique and Philosophy scheduled for June 6th -8th at The Art School in Sandy Springs - Atlanta, Georgia.  Please call or email Donna Thomas at 404-313-7356 or theartschoolinsandysprings.com.

Wine and Paint  It's becoming a wildly popular trend across the globe and now is soon to come to Winter Garden Florida. Plans are being finalized for weekly evenings at SoBo Art Gallery in Winter Garden Florida.  Join me and other painters for the fun - I will be facilitating. Schedule to come out soon.
"Sally Shisler - A Collection of Beach Paintings from 2010-2014   Keep your eyes peeled for my First Self Published Book of 4x4" palette knife beach paintings a la Potthast. 

Unless otherwise noted, listed prices are offered to my subscribed blog members. If you are interested in purchasing a painting, but are not yet subscribed, simply enter your email address in the join box on my home page. As a subscriber you will receive special values on your purchases and periodic promotions will give you the opportunity to enjoy my paintings in real life at even more affordable prices!

Saturday, June 9, 2012

"At the Beach" after Edward H. Potthast




"At the Beach" after Edward H. Potthast (4x4") - 201214
Hats and umbrellas; umbrellas and hats...  For whatever reason, they are a challenge.  More importantly, I want to discuss the inclusion of a black person.  Because everything I've painted up until now has been creamy white folks. One of my husband's best friends is black. She asked me the other day why I haven't ever including someone black.  What can I say?  It was a terrific question!  I have to tell on myself and say I just never had the occasion to or even thought of it.  Black skin has a wonderful quality with MANY more variations in color and value than that of white skin. From rich dark prussian blue hues, to light caramelly tones, it offers lots of mixing fun!
Unless otherwise noted, listed prices are offered to my subscribed blog members. If you are interested in purchasing a painting, but are not yet subscribed, simply enter your email address in the join box on my home page. As a subscriber you will receive special values on your purchases and periodic promotions will give you the opportunity to enjoy my paintings in real life at even more affordable prices!

Wednesday, June 6, 2012

"Beach Time" by Sally Shisler




"Beach Time" (4x4") - 201213
Contemporary subject; classical colors.  I wanted to break out a little bit, tone things down from the last few posts.  Again (like in the Skinny Dipping paintings-sexy nude), I was wary of this piece being pigeonholed into a genre (cutesy mother, child) taking away from any merits it might have as just a painting.  I really love working with very dark darks - the transparent ones.  Sap green, alizarin crimson & ultramarine blue. Mixed together, they create succulent colors.  I had been trying out the M. Graham oils for a while.  Very good quality pigment that has walnut oil for the medium.  Not to mention very nice tube openings and tops. I thought it might cut down on the amount of walnut oil I use when I'm mixing my paint.  But it didn't.  Also, as much as I wanted the brand to work, it was just too pasty for me.  I'm back to the good old Winton & Georgian brands. These are student grade, but in my opinion, the best for what I do. 
Unless otherwise noted, listed prices are offered to my subscribed blog members. If you are interested in purchasing a painting, but are not yet subscribed, simply enter your email address in the join box on my home page. As a subscriber you will receive special values on your purchases and periodic promotions will give you the opportunity to enjoy my paintings in real life at even more affordable prices!

Tuesday, June 5, 2012

"Crashing In" by Sally Shisler





"Crashing In" (4x4") - 201212
This was SO much fun!  You'll note that the bright white is actually from some glare off the outdoor light source (the sun).  It hits where the paint has the most depth, which is usually a challenge to get around when photographing the paintings. (There is a way around this).  But with this scene, the sparkles show me exactly where I can go back in and place pure white paint to suggest the waves even more effectively. 
Unless otherwise noted, listed prices are offered to my subscribed blog members. If you are interested in purchasing a painting, but are not yet subscribed, simply enter your email address in the join box on my home page. As a subscriber you will receive special values on your purchases and periodic promotions will give you the opportunity to enjoy my paintings in real life at even more affordable prices!